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My mastering philosophy
Owner and chief engineer: john mcCaig
I believe mastering is a very important and often misunderstood step in producing an album. Often, because of the cost, independent artists and labels skimp on mastering, but I believe high quality mastering should be affordable to everybody. Mastering is all I do, and its great that I get to listen to a lot of interesting music before everyone else (which is my secret guilty pleasure.)
 

To me, the most important tool to being a great mastering engineer is a good set of ears and experience, and I try to hear and correct the slightest deviation in tone, balance, or wavelength, so that your tracks sound great everywhere. I also think that simple, streamlined gear helps me get the exact sound I want reliably and efficiently, which is why I have carefully chosen top quality gear to outfit my studio.

I was born and raised in Seattle Washington (and probably think I’ll never move,) and have been playing, making, sampling, mixing and synthesizing music for over 25 years. I received my BFA from the University of Washington in Digital Signal Processing and Music Composition. Audio and CD Mastering became a fulltime and focused endevor in 2001. In addition to a minor obsession with buying and selling gear on a regular basis, I had releases of my own music as effacer on audiobulb, Kikapu, and panicRecordings, and as fell on en:peg digital, Neo Ouija, and Papergoose records.

 

Assistant & Quality Control: Chad Imes
Chad Imes, a graduate from Evergreen State College in audio and music production, is responsible for making sure your master CDs are perfect! Besides being an all around great guy, he runs his own label, Broken Twilight, and is in one of the coolest bands i've gotten the chance to master, Loudspeaker Speaker Meets Clearly Human.

 

 

 

 

 

 

 

 

 

 

 

john mcCaig


 

 

Chad Imes